As many of you know, Popular Photography closed it doors earlier this year. One of the longest running photography magazines, it was a shock to see them close down shop. Along with shutting down the magazine, the long running Mentor Series photography workshops also will be ending this year. I have been teaching for the Read More
Blog
Focus Limit Switch
I just got in this morning from a great trip to Alaska with ANPW. We were on a roll with wildlife shooting; bears, whales, puffins and even a wolf. Some of the most memorable moments were photographing puffins in flight. Any bird flight photography is challenging, and puffins are even more erratic than other Read More
Upcoming Workshops
Some folks have been asking about my workshop schedule next year, and I am finishing up details on a few more trips. This year there is still space on a few trips. One trip I am really excited about is Prague in the fall. This is my favorite city in Europe, and it is even Read More
Dehaze Filter
If you are not familiar with the Dehaze filter in LR or Photoshop, you should be. This slider can be the silver bullet to improving images…or making them totally over processed. Some situations you can just grab the slider and do a global adjustment. Try it out on Northern Lights images or hazy scenes (thus Read More
Color Theory; Warm advances, cool recedes
I teach composition on numerous workshops I teach, and one important part of this class is color theory. Seriously, I could spend all day talking about color and nothing else in composition. Color, or black and white, are incredibly powerful tools in design and art. Colors affect our emotion, mood and reaction to an image. Read More
Nikon 1.7x Teleconverter
I just returned from a trip to Yosemite with ANPW, and conditions were unlike anything I’ve seen. With a snowpack approaching 200 percent of normal, and hot sunny conditions in the Sierras, the Merced river was flooding the valley floor. While this prevented us from shooting in some popular spots, the flooding created beautiful reflection Read More
Nikon 70-200mm F2.8E FL ED VR
Ever since I starting shooting professionally I have used a F2.8 70-200mm (or 80-200mm way back when). Why? Because this lens is a ‘meat and potatoes’ workhorse. I can’t think of a workshop or assignment this lens wouldn’t be in my bag. On some travel workshops I bring my F4 version of this lens to Read More
Alien Skin Exposure X Layers
I have been using Alien Skin since it first came out. Their film presets are unmatched and extensive, and with each update they keep adding great features. If I want to do some creative work on a portrait, I go to Alien Skin. Black and white conversion, I go to Alien Skin. Add some cool flare Read More
When and how to use a monopod.
I just returned from shooting in Mexico, and much of my time was spent aboard a boat. Since I knew I would be photographing wildlife like dolphins, whales and birds, I brought along my 500mm F4. This lens is incredibly sharp, and I love how the background blurs at F4 with wildlife photos. But all Read More
Pro Media Gear cage
Awhile back I picked up a Pro Media Gear cage for my Elinchrom ELB400. Sometimes you get a new piece of gear, and you use it a few times. And then there is new equipment you use all the time. The Pro Media Gear cage for the ELB400 is something I use all the time. Read More
SB5000 Remote Direct Mode
Just returned from teaching a great lighting class with the Mentor Series in Austin Texas. Cowboys, barbecues and retro were the themes. I literally walked into my hotel room, saw the retro refrigerator, and started setting up my speed lights (see my instagram account for the final shot…’tombolphoto’). Also had a great time teaching with Read More
Nikon Prime Lenses
Zoom lenses are handy, no doubt about it. You can virtually stand in one place and blaze through a variety of compositions. My favorite trinity of zooms, the 14-24mm, 24-70mm and 70-200mm are staples in my work. But don’t forget about primes. They offer a lot of advantages, and in some cases, bring out your Read More